In Picture: Salan and Anushka play wrestlers in Sultan.
Cast: Salman Khan, Anushka Sharma, Randeep Hooda
Director: Ali Abbas Zafar
Aakash Oberoi (Amit Sadh), a young entrepreneur, is on the verge of a breakdown because his idea of bringing Mixed Martial Arts contests to India isnâ€™t working out. His father advises him to rope in a local fighter, apparently because nobody thirsts more for victory than a â€œcommon Indianâ€.
The old man then suggests a name: Sultan Ali Khan.
Sultan (Salman Khan), a 40-year-old former wrestler, has seen the highs and lows of life. Going into flashback, we are introduced to Sultanâ€™s younger self at a time when nobody could beat him in a sprint. A chance meeting with Aarfa (Anushka Sharma), an ambitious wrestler eyeing the Olympic gold, ignites a fiery passion in Sultanâ€™s life.
But then, if Bollywood has taught us anything, we know Sultan isnâ€™t going to come upon his happy ending that easily.
Today, Sultan is just a shadow of his former self. Life has been knocking him down for years, but he has always known how to fight back. He knows he is down, but not out.
The screenplay eases us into a world 100 kilometres away from the National Capital. Though the girls here struggle to make a mark, Aarfa leads a brigade thatâ€™s determined to make its presence felt. In a welcome change for Bollywood, Sharma actually talks about women emancipation in a language that isnâ€™t confined to â€œGhar me maa behan nahi hai kya?â€.
Here, amid canal-side roads and large bungalows with â€˜akhadasâ€™, live some of the most humble and lovable people this side of Earth. They dance together, understand and respect each otherâ€™s needs, and cheer for their wrestlers. The only problem is â€“ their star wrestler doesnâ€™t flaunt a local accent. Salmanâ€™s dialect differs from that of his folks, but never mind, itâ€™s the least of the issues.
The directorâ€™s uncontrollable urge to make his characters break into a jig every now and then slows down the film. The songs consume time, and act as mere advertisements of Salmanâ€™s superstardom. However, thatâ€™s also Sultanâ€™s USP.
Sultan treads a predictable line until it reaches the climax. In the best part of the movie, Salman carries forward his Bajrangi Bhaijaan act. The man you see in the ring is down to earth, humble and quite unlike your typical Bollywood superstar. He is scared of his opponents, and fails to hide his pain despite being the strong, silent kind.
Though Sultan keeps himself from throwing in the towel, he doesnâ€™t act invincible either. He is aware of his age â€“ something no character played by Salman has done in the past. For a change, it feels nice to hear him mouth sensible dialogues.
Watch: Salman Khan, Anushka Sharma in soulful Jag Ghoomiya from Sultan
The directorâ€™s biggest success lies in taming Salmanâ€™s overpowering persona. Zafar further breaks the film into three distinct acts, and the actor excels in each of them. From playing a done-and-dusted homegrown wrestler to a wonder-boy of freestyle fighting, you see Salman put up a performance like never before.
Sultan takes a cue from Tom Hardyâ€™s Warrior, but thatâ€™s about it. The pot-bellied, middle-aged wrestler is mostly his own creation. Anant Sharmaâ€™s fantastic act as Sultanâ€™s sidekick Govind is also notice-worthy.
Sultan has all the right ingredients of a â€˜masalaâ€™ potboiler, and whistling and sobbing are likely to go hand-in-hand here. Donâ€™t go looking for a twist ending, though. We all know what to expect from such a film, but itâ€™s still a lot of fun to see the underdog win.
ByÂ Rohit Vats, New Delhi